Wednesday, March 29, 2017

It's crazy like that.

March 29, 2017, Hope (Arkansas.)

Photography is crazy like that.
The trees did not look like that. The light was interesting, but it came to life through the lens, or rather took a life of its own entirely, unfurling a view only my eye could envision.
Photography is crazy like that, and that’s why I’m in love with its song.

Tuesday, March 28, 2017

The sand castle.

March 28, 2017, Ashdown (Arkansas.)

We’re going to make a sand castle, he said.
I was walking to town when I saw them. An older man and a little girl, playing in a sandy area off the street in Ashdown, Arkansas, a small town off highway 67 in the southwestern corner of Arkansas, by Texarkana. I asked if I could take their picture and he said yes, this is my grand-daughter, she’s two, we’re going to make a sand castle, she lives right there behind the trees. They had a red plastic wagon and two five-gallon buckets they were filling with sand they scooped off the ground.
His name was Michael, and she was Sophie. He worked at the lumber and paper mills in the area, and was taking care of her until he had to leave for work.
There was sand in her red rain boot, he shook it off.
The morning was getting warm.
I remember Ashdown from the first year we worked with this circus, in 2008, there was a tornado coming and the lot flooded, and the thought of it is all dark and eerie.
This morning I went walking from the lot into town, a long slow walk, flat, past houses crumbling down and others well tended, closed shops, two men working on a car in their driveway, talking loudly, their bodies protruding from the hood, suit-stained grey, a guy in a pickup truck with a cowboy hat that disappeared into the truck’s ceiling, another with a long white beard driving an oversized farm tractor, passing me by, the shadow of someone saluting me with two fingers raised from behind the wheel of a grey Mustang down a deserted side street.
There are train tracks slicing along the town, and highway 67, and a river museum, a few fast food restaurants and a farm supplies store, and not much else.
As always we’ll be gone tomorrow.

Sunday, March 26, 2017

My sister's house.

March 26, 2017, Caddo Mills (Texas.)

I’m on the road again. A milestone birthday with family, Nicolas turns ten this week; the two digits, the eternity of his being ten, if not quite, the memories, the memories in the making of the instant, the joy of being together, counting my blessings, there are too many.
Dylan kept trying to light his brother’s candles and failed over and over again, drowned by laughter. We sang in Spanish and in French and last in English so Nicolas got to blow his candles three times, and Dylan got to fail to light them many more, and try again, and the laughter engulfed us all.
We are staying at my sister’s house; my sister is not my sister but she is the only one, bursting with life and she makes me stronger. We are strong women in our own different ways, and family has nothing to do with our bond.
Her house in the plains of east Texas I make my canvas. Mobile homes are all around, pickup trucks, white men revving them up and down the potholed road, next to Latino families, like my sister’s, some circus families, like hers, and there are new developments over on the main Farm to Market road leading up to interstate 30 pushing the real estate prices up. It’s a landscape of desolation for me, and of wonder, in its foreignness. I know I should get to know the people who live here and shape the landscape to better understand how we got to where we are as a nation. It is one more line on the list of things I have to do to not die an idiot, as the French like to say.
My sister makes her brother’s circus suits, when she has time, and she didn’t get to clean the house before we arrived yesterday, so I made this picture.

Friday, March 17, 2017

Bring it on.

March 17, 2017, Columbia (Missouri.)

There are so many fires to put out, day after day, that is is hard to find time to do anything else. Call that rep, sign that petition, organize that meeting, work on that project, I forgot the milk, that’s what I went to the store for, manage freelance work, did I forget that appointment?, write letters to city officials because this is urgent, lives are at stake!, work, work, work to grow that business, feed the hens, sit down to eat, out out that next fire, breathe, enjoy the moment, love.
The boys are fine, they are getting a crash course in civics, like me, and activism, like me, last weekend we went to see the Met’s La Traviata at the movie theater and we had to leave early because people would be arriving soon for the meeting, and I had to get the house ready for twenty-five people to find space to sit in my living room, and I didn’t, they sat on the floor and stood in the back, and we had champagne because stepping up the fight doesn’t have to be boring, and the boys were happy anyhow, La Traviata was getting old by the last act for a nine-year-old, Minecraft awaited, and we were tired of popcorn.
Twenty years ago I photographed African seeking asylum in France and refuge in a Catholic church in Paris. The times haven’t changed much. Bearing witness through photography is as essential as ever, maybe more, because this time around the very notion of truth is on the line.
Photography is my truth, and my weapon of choice.
Bring it on.